Bob Avakian

http://bobavakianphotography.com/galleries.html 

I photograph the landscape at night and at dawn. The camera captures the frames as stills, freezing time, regardless of the length of the exposure, and creating an image different from what the eye perceives. I like to believe that these resulting images are from a moment suspended between night and day. The camera is a mirror that allows me to see my surroundings with new eyes while at the same time becoming more aware of myself. Out at night, alone, the day’s cares recede and the sense of time fades. Allowing a heightened awareness to take over, I direct my attention to conveying the quiet and solitude of the night. It is this shift in attention, I believe, that allows me to experience the moment with a different vision. My exposure and printing decisions enable me to take the surroundings I know so well and present them as they have not been seen before. What fascinates me about this process is that magical element of surprise. I venture out in search of scenes that contain an unknown light source of have some other mysterious quality. Of course there are times when I don’t find anything. Since the night sets the stage, I never know where I will wind up. It reminds me so much of life. Bob Avakian

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About Farah Mahbub

Farah Mahbub was born and brought up in Karachi. She attained her bachelor’s degree in fine art, literature and psychology. Being primarily self-taught, she has been working as a professional photographer since 1988. Her photographic journey has taken its course through exploration of various genres, ranging from fine art, commercial, architectural and landscape photography. However for her, personal self-expression is best conveyed through fine art photography, which she continues to explore and dedicate her abilities to. Working formerly in analogue, her present work now is primarily in the digital format. As a practicing artist, Farah’s work has been exhibited in both local and international exhibitions including the 11th Asian Art Biennale in Bangladesh and the Mohatta Palace Museum in Pakistan. Her work has also been published in multiple books most notably Journeys of the Spirit: Pakistan Art in the New Millenium. Farah joined the Indus Valley School of Art and Architecture in 1997 as a faculty member, where she has been ever since. Under her tenure, photography has evolved from a single class into an undergraduate minor spanning the Communication Design and Fine Art and Interior Design departments. Farah recently had her fifth solo show "Baraka Silsila-e-Nisbat" with an accompanying monograph. View all posts by Farah Mahbub

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