Cig Harvey

Interview with Cig Harvey: YOU Look At ME Like An EMERGENCY

From one of the best photography blogs out there.

Sometimes you come across work you fall in love with, work that resonates with you in such a deep way, and you begin seeing the world through the lens and point of view of a great image maker.  I have been a fan of Cig Harvey’s photographs from the moment I encountered her way of seeing.  Cig is a visual painter, creating images that shimmer with color and gesture, that have the punctuation and staccato of red berries, purple finger nails, or a field of fireflies at night.  She speaks to memory, to moments, to quiet and beauty, and never loses her connection to the natural world.  Her work is a sensory experience, where you feel what she feels when she captured the dapple of summer sunlight on skin or the splash of water that is a color only our memories seem to hold.

I am thrilled to share that Cig has a new monograph, You Look At Me Like An Emergency.  The book is a spectacular autobiographical culmination of her relationships, experiences, and moments in her life.  Published by Schilt, You Look At Me Like An Emergency conveys the universal quest for personal identity and place in the world.

Cig recently moved to Maine where she lives with husband and baby.  She works as an editorial and fine art photographer and her work has been exhibited widely and is in the permanent collections of many major museums.  She was a recent finalist for the prestigious BMW Prize at Paris Photo and recently had her first solo museum show at The Stenersen Museum in Oslo, Norway.

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About Farah Mahbub

Farah Mahbub was born and brought up in Karachi. She attained her bachelor’s degree in fine art, literature and psychology. Being primarily self-taught, she has been working as a professional photographer since 1988. Her photographic journey has taken its course through exploration of various genres, ranging from fine art, commercial, architectural and landscape photography. However for her, personal self-expression is best conveyed through fine art photography, which she continues to explore and dedicate her abilities to. Working formerly in analogue, her present work now is primarily in the digital format. As a practicing artist, Farah’s work has been exhibited in both local and international exhibitions including the 11th Asian Art Biennale in Bangladesh and the Mohatta Palace Museum in Pakistan. Her work has also been published in multiple books most notably Journeys of the Spirit: Pakistan Art in the New Millenium. Farah joined the Indus Valley School of Art and Architecture in 1997 as a faculty member, where she has been ever since. Under her tenure, photography has evolved from a single class into an undergraduate minor spanning the Communication Design and Fine Art and Interior Design departments. Farah recently had her fifth solo show "Baraka Silsila-e-Nisbat" with an accompanying monograph. View all posts by Farah Mahbub

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