Tom Wood’s men and women

BBC News – Tom Wood’s men and women.

… To many in the business Wood is a true photographer and held in high regard. One that has dedicated his life to his art and has cut no corners nor bent to prevailing trends. He is often classified as a documentary photographer, but he tells me quite forcefully that is not the case. “I am not trying to document anything, I am asking a question. It is more about deciphering and transforming. You don’t call a poet, a documentary poet, because they write about life, so why a photographer?”

It is that exploration of the subject and what stimulated him to make a picture that is of such interest, a contest between the form and the content. “When the stuff is too journalistic and documentary then it is journalism, if it is too conceptual and arty then that is another thing, but where the two meet – that is interesting.” …

“You are after this intangible thing which is not a document. You can photograph the same face 50 times and 49 are not interesting, but one is and it goes to another place.

“I wanted to allow that time as a gestation period, each picture should be a discovery. It is about asking a question, you don’t know which are the great pictures just like that.”

 

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About Farah Mahbub

Farah Mahbub was born and brought up in Karachi. She attained her bachelor’s degree in fine art, literature and psychology. Being primarily self-taught, she has been working as a professional photographer since 1988. Her photographic journey has taken its course through exploration of various genres, ranging from fine art, commercial, architectural and landscape photography. However for her, personal self-expression is best conveyed through fine art photography, which she continues to explore and dedicate her abilities to. Working formerly in analogue, her present work now is primarily in the digital format. As a practicing artist, Farah’s work has been exhibited in both local and international exhibitions including the 11th Asian Art Biennale in Bangladesh and the Mohatta Palace Museum in Pakistan. Her work has also been published in multiple books most notably Journeys of the Spirit: Pakistan Art in the New Millenium. Farah joined the Indus Valley School of Art and Architecture in 1997 as a faculty member, where she has been ever since. Under her tenure, photography has evolved from a single class into an undergraduate minor spanning the Communication Design and Fine Art and Interior Design departments. Farah recently had her fifth solo show "Baraka Silsila-e-Nisbat" with an accompanying monograph. View all posts by Farah Mahbub

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