Michael Kenna

Michael Kenna

Tim Baskerville
Your work, more than any photographer I can think of, seems to bridge the gap between night photography and “daylight” (for want of a better term) photography. You move freely between situations, time and light constraints, yet you still seem to incorporate the nocturne and its sense of mystery into much of your work. Because of this, you’ve not been pigeonholed as a Night Photographer, your audience has grown and I believe you have advanced night photography, it’s aesthetic qualities and concerns by a wide margin. Are you still a night photographer at heart?

Michael Kenna
[Laughs] Night and day are one and the same, they are parts of the whole. I can happily photograph during the day or night or dawn or dusk. I like to photograph at any time and there are qualities about every time of the day and night which should be appreciated, so I try to move in and out at will. There was a period when I was starting out, when I could have been called a Dawn photographer. Then I became a Day photographer, next I became a Night photographer, and now I suppose I am an Anytime, All time, Every time photographer [laughs.] I found that working at night I learned much that I could then bring into the day. Working again during the day I discovered elements that I could then take back into the night. Confining myself to one particular area or one particular time period is, I think, self limiting. In general, I look for “timeless” imagery, which could be taken at night, during the day, at dusk, or dawn.

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About Farah Mahbub

Farah Mahbub was born and brought up in Karachi. She attained her bachelor’s degree in fine art, literature and psychology. Being primarily self-taught, she has been working as a professional photographer since 1988. Her photographic journey has taken its course through exploration of various genres, ranging from fine art, commercial, architectural and landscape photography. However for her, personal self-expression is best conveyed through fine art photography, which she continues to explore and dedicate her abilities to. Working formerly in analogue, her present work now is primarily in the digital format. As a practicing artist, Farah’s work has been exhibited in both local and international exhibitions including the 11th Asian Art Biennale in Bangladesh and the Mohatta Palace Museum in Pakistan. Her work has also been published in multiple books most notably Journeys of the Spirit: Pakistan Art in the New Millenium. Farah joined the Indus Valley School of Art and Architecture in 1997 as a faculty member, where she has been ever since. Under her tenure, photography has evolved from a single class into an undergraduate minor spanning the Communication Design and Fine Art and Interior Design departments. Farah recently had her fifth solo show "Baraka Silsila-e-Nisbat" with an accompanying monograph. View all posts by Farah Mahbub

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