Edward Burtynsky: Oil | PDN Photo of the Day

Edward Burtynsky: Oil (Eight Images) | PDN Photo of the Day

Whether photographing a shoe factory in China, a rock quarry in Portugal or a copper mine in Chile, Edward Burtynsky creates images that use scale to consider the magnitude of human industry and its impact on the landscape. “To me, what’s interesting as art is to begin to define that theater of industry that is almost beyond our imagination,” Burtynsky says.
His most recent long-term project, OIL, is currently showing simultaneously at the Corcoran Gallery of Art in Washington, D.C., at Hasted Hunt Kraeutler in New York and at Nicholas Metivier Gallery in Toronto. The project was also recently released as a book by Steidl. OIL isn’t meant as an encompassing documentation of the vast global oil production system. Instead it focuses on major themes—oil extraction and refinement, “motor culture,” and the eventual end of the production and consumption of oil.

Read further on the link below

Edward Burtynsky: Economies of Scale

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About Farah Mahbub

Farah Mahbub was born and brought up in Karachi. She attained her bachelor’s degree in fine art, literature and psychology. Being primarily self-taught, she has been working as a professional photographer since 1988. Her photographic journey has taken its course through exploration of various genres, ranging from fine art, commercial, architectural and landscape photography. However for her, personal self-expression is best conveyed through fine art photography, which she continues to explore and dedicate her abilities to. Working formerly in analogue, her present work now is primarily in the digital format. As a practicing artist, Farah’s work has been exhibited in both local and international exhibitions including the 11th Asian Art Biennale in Bangladesh and the Mohatta Palace Museum in Pakistan. Her work has also been published in multiple books most notably Journeys of the Spirit: Pakistan Art in the New Millenium. Farah joined the Indus Valley School of Art and Architecture in 1997 as a faculty member, where she has been ever since. Under her tenure, photography has evolved from a single class into an undergraduate minor spanning the Communication Design and Fine Art and Interior Design departments. Farah recently had her fifth solo show "Baraka Silsila-e-Nisbat" with an accompanying monograph. View all posts by Farah Mahbub

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